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Record/Vinyl + Digital Album
Ok so playlists and earbuds are our bread and water, our sandwiches and rice bowls, I know.. and yet..
Vinyl though. From the way we recorded, to the sequence and art choices .. this is the format this new record was made for .. since that winter when I was gobsmacked by dropping the needle on some early Baden Powell recordings, in awe of the lush sound of intimate music in a big room and the soft analog patina, I knew I wanted to release the next record on vinyl.. this is how it was meant to sound.
So, here it is ..limited edition gatefold packaging, on a surprise mix of remelted multi-colored vinyl remnants !
Please note Bradley Cox’s gorgeous photos, design/ packaging by Mark Shephard, and original illustrations by Mike Bencze.
Includes unlimited streaming of Pigeon And The Crow
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ships out within 5 days
edition of 500
$22USDor more
graphic novella with flexi-disc of the single included
ships out within 3 days
edition of 500
$15USDor more
Compact Disc (CD) + Digital Album
Includes unlimited streaming of Pigeon And The Crow
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
"Nels Andrews’ lyrics take us from the West Coast to the East, into desert-scapes, sea-scapes and beyond. He skillfully combines the supernatural, the natural, the beautiful, the wistful, with a subtle sense of magic and mystery. It has a slightly psychedelic lingering nod to the sixties and the era of alternative, artistic living; a kind of ‘On The Road’ Nels Andrews style” Julie Williams-Nash, Folk & Tumble , IRL
Although he was born by the sea, it wasn’t until he moved to the desert that Nels Andrews began writing songs. He sang them alone in a house constructed of mud and tires on the sage-brushed mesas of Taos, New Mexico where he spent his 20’s, airing them occasionally around campfires. Eventually he found his voice as a crooner of literary narratives and increasingly impressionistic story songs.
Now, happily stationed by the sea again in Santa Cruz, Andrews has gracefully woven the morning fog, redwoods, and oceanside into his forthcoming record Pigeon and The Crow, produced by traditional Irish flutist Nuala Kennedy (Gerry O’Conner, Will Oldham). A songwriter’s record in the spirit of Van Morrison’s Veedon Fleece with a breath of the texture, rhythm, and longing of Milton Nascimento’s Club De Esquina , Pigeon and The Crow brims with literary wordplay, mixed with some sway, some shimmer, and some sand between your toes.
Now, happily stationed by the sea again in Santa Cruz, Andrews has gracefully woven the morning fog, redwoods, and oceanside into his forthcoming record Pigeon and The Crow, produced by traditional Irish flutist Nuala Kennedy (Gerry O’Conner, Will Oldham). A songwriter’s record in the spirit of Van Morrison’s Veedon Fleece with a breath of the texture, rhythm, and longing of Milton Nascimento’s Club De Esquina , Pigeon and The Crow brims with literary wordplay, mixed with some sway, some shimmer, and some sand between your toes. Release Date
US August 9, 2019. UK April 15, 2020
praise for "Pigeon & The Crow"
“California dreamin' - but not as you know it, a mystical trip through Steinbeck country This is the perfect album for these dark and dislocating times, beautifully crafted songs that envelop you in the gentle winds and fogs of California’s Monterey peninsula, and the waves on its flotsam-dotted sands.” Liz Thomson, The Arts Desk , UK
“Wistful and evocative, quietly melancholic and veined with a sense of the natural world, it's a hushed meditation of the heart.”
Mike Davies Fatea Magazine , UK
“Andrews deftly weaves masterful lyrics with sing-song melodies and sweet harmonies that make you want to take notice.”
— Parade Magazine
“
“Folk maestro Nels Andrews...reflects on finding new surprises in himself and the ones that he loves.- “
— PopMatters
There is a plaintive poignancy to the delivery of Nels “Andrews’ words. Each song tempered with pensive thought and purpose. His stories like a small boat in the breaking waves, but it always comes out above the tide in the end. Beautiful stuff. “
— Red Line Roots
credits
released August 9, 2019
Nels Andrews Vocals & Guitar
Nuala Kennedy Flute, Keys & Vocals
Sebastian Steinberg Bass
Quinn Drums/ Percussion
Pete Harvey Cello
Shane Cook Violin
Jonathan Goldberger Electric Guitar, Loops
Emmanuel Paquete Nylon String Guitar
Marla Fibish Mandolin
Chris Wabuch Steel Drums
Stelth Ulvang Kora, Accordian, Harmonium, Upright Piano
Anais Mitchell Vocals
Anthony Da Costa Vocals
A.J. Roach Vocals
Recorded by Kris Poulin at Whispering Pines Studio Los Angeles, Ca
Mixed by Kris Poulin
Additional Recording by Charlie Cohen at the Flavor Station, La Selva Beach, Ca
and Johnathan Goldberger at Down Home Audio Lab in Greenpoint, Brooklyn, NY, and various remote locations across the globe!
Mastered by Carl Saff at Saff Mastering
ll songs by Nels Andrews BMI except “Pigeon & the Crow , “Welterweight” co-written by AJ Roach BMI “Memory Compass” co-written by Emmanuel Paquette, Recorded by Kris Poulin at Whispering Pines Studio Los Angeles, Ca, Mixed by Kris Poulin, Additional Recording by Charlie Cohen at the Flavor Station, La Selva Beach, Ca, and Johnathan Goldberger at Down Home Audio Lab in Greenpoint, Brooklyn, NY, John Doyle’s in Dublin, and various remote global locations! Mastered by Carl Saff at Saff Mastering, Photographs by Bradley Cox, Giant Eye Photography. Design by Mark Shepherd, mmmshepherd.com. Thanks to the Lord Huron folks for their clubhouse/studio, Nuala for being a magic catalyst, Kris for helping it sound just like we dreamed, all the musicians who lent their instruments & voices, and my wife Julia for whispering all the best words into my ear. This album is dedicated to the memory of John Davy, who gave me my first ever review, paddled across cold Scottish water to come to the shows, and brought me out to his Scoraig isle homestead, where two songs on this record were born.
He skillfully combines the supernatural, the natural, the beautiful, the wistful, with a subtle sense of magic and mystery.
It has a slightly psychedelic lingering nod to the sixties and the era of alternative, artistic living; a kind of ‘On The Road’ Nels Andrews style” Julie Williams-Nash, Folk & Tumble , IRL...more
Cuban Sailors brought Son Rhythms back to Senegal by the 60's they had mixed with Senegalese folk melodies and phrasing, I love the international musical conversation, & Analog Africa for all they do Nels Andrews
supported by 8 fans who also own “Pigeon And The Crow”
All of JCA’s albums are true gems with so much honesty and heartfelt emotion. He is a lyricist who puts all his cards on the table in his songs. There is such a tender delicate atmosphere he creates with his instrumentation it begs the listener to really listen to the words in the songs. Honestly there are not many I could put above him In music. I love all the songs so real so good but my favorite is Typeface In Bold. What’s even better JCA is a genuinely nice guy too. James Kilpatrick
Lisa/Liza's delicate psychedelic folk tunes make something beautiful and graceful from the traumatic experiences of chronic illness. Bandcamp New & Notable May 2, 2023